<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-6963427</atom:id><lastBuildDate>Tue, 27 May 2008 01:00:12 +0000</lastBuildDate><title>Surfing studies</title><description/><link>http://www.the-door.info/blogger.htm</link><managingEditor>noreply@blogger.com (Daniel Webber © Copyright.)</managingEditor><generator>Blogger</generator><openSearch:totalResults>10</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-115327195917641972</guid><pubDate>Wed, 19 Jul 2006 01:17:00 +0000</pubDate><atom:updated>2006-11-10T01:36:23.029+11:00</atom:updated><title>G-Land</title><description>G-Land is an internationally renowned surfbreak situated on the Bay of Grajagan, East Java, about half a day by road from the popular tourist destinations of Bali.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.the-door.info/g-land.html"&gt;&gt;&gt; More&lt;/a&gt;</description><link>http://www.the-door.info/2006/07/g-land</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-115326887444629906</guid><pubDate>Wed, 19 Jul 2006 00:25:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.952+11:00</atom:updated><title>Tidal info</title><description>This graphical user interface presents a succession of tide graphs, activated by dragging the cursor sideways across the face of the graph. The sideways movement of the cursor creates an interactive animation showing how the tidal pattern changes from day to day.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.the-door.info/tidal-info.html"&gt;&gt;&gt; More&lt;/a&gt;</description><link>http://www.the-door.info/2006/07/tidal-info</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-115305568439830170</guid><pubDate>Sun, 16 Jul 2006 13:13:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.866+11:00</atom:updated><title>Wave intensity</title><description>&lt;strong&gt;Surf breaks&lt;/strong&gt; can be grouped according to their intensity. There are two variables to consider in determining the intensity of a surf break: the shape of the tube and the angle of the peel line.&lt;br /&gt;&lt;br /&gt;&lt;a href="wave-intensity.html"&gt;&gt;&gt; More&lt;/a&gt;</description><link>http://www.the-door.info/2006/07/wave-intensity</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-115303084930329878</guid><pubDate>Sun, 16 Jul 2006 06:15:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.801+11:00</atom:updated><title>The surfer stereotype</title><description>Depictions of surfers and surfing in cinema and on TV, including:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a title="Denny Miller" href="http://en.wikipedia.org/wiki/Denny_Miller"&gt;Denny Miller&lt;/a&gt; as the handsome surfer, Duke Williams, guest starring on &lt;a title="Gilligan's Island" href="http://en.wikipedia.org/wiki/Gilligan"&gt;Gilligan's Island&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;a title="Sean Penn" href="http://en.wikipedia.org/wiki/Sean_Penn"&gt;Sean Penn&lt;/a&gt; as stoned surfer, Jeff Spicoli, in &lt;a title="Fast Times at Ridgemont High" href="http://en.wikipedia.org/wiki/Fast_Times_at_Ridgemont_High"&gt;Fast Times at Ridgemont High&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;Fred being blasted by monsterous waves, as he tries desperately to impress the teenage crowd, in &lt;a class="external text" title="http://looney.goldenagecartoons.com/flint.html" href="http://looney.goldenagecartoons.com/flint.html"&gt;"Surfin' Fred"&lt;/a&gt; (1965) , &lt;a title="The Flintstones" href="http://en.wikipedia.org/wiki/The_Flintstones"&gt;The Flintstones&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;a href="http://www.the-door.info/stereotype.html"&gt;&gt;&gt; More&lt;/a&gt;&lt;/p&gt;</description><link>http://www.the-door.info/2006/07/surfer-stereotype</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-115301200751226246</guid><pubDate>Sun, 16 Jul 2006 01:06:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.735+11:00</atom:updated><title>Broceanography</title><description>&lt;strong&gt;Broceanography&lt;/strong&gt; is surf jargon for the ability to predict when and where to surf on a given stretch of coast. The playful application of the "bro" affix to a word originated in Southern California, where a cliquish group of surfers decided to affirm their membership of the surfing sub-culture by retro-fitting existing language with "bro-fixes".&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.the-door.info/broceanography.html"&gt;&gt;&gt; More&lt;/a&gt;</description><link>http://www.the-door.info/2006/07/broceanography</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-115301069697822891</guid><pubDate>Sun, 16 Jul 2006 00:40:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.662+11:00</atom:updated><title>Ecophenomenology</title><description>&lt;strong&gt;Surfing&lt;/strong&gt; is founded on the aesthetic appeal of naturally occurring patterns and processes. Through direct involvement with nature, surfers appreciate the intrinsic value of the biosphere.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.the-door.info/ecophenomenology.html"&gt;More &gt;&gt;&lt;/a&gt;</description><link>http://www.the-door.info/2006/07/ecophenomenology</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-110315948609805935</guid><pubDate>Sun, 19 Dec 2004 02:05:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.353+11:00</atom:updated><title>Outer Island</title><description>This is a short story about a year spent on Norfolk Island. An &lt;a href="outer_island.htm"&gt;excerpt&lt;/a&gt; can be read online and the whole story can be downloaded as a &lt;a href="http://www.the-door.info/outer_island.doc"&gt;word.doc&lt;/a&gt;. There is also a subtextual analysis, revealing the narrator's psychological development, which can be downloaded as a &lt;a href="http://www.the-door.info/symbolic_reading.doc"&gt;word.doc&lt;/a&gt;.</description><link>http://www.the-door.info/2004/12/outer-island</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-110315879151610227</guid><pubDate>Sat, 18 Dec 2004 00:56:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.281+11:00</atom:updated><title>Liquid Time</title><description>This &lt;a href="dimensions.htm"&gt;essay&lt;/a&gt; presents a non-dualistic view of reality that is based on an ontology of dimensionality, which regards motion as the 4th dimension, rather than 'time'.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Excerpt:&lt;/strong&gt; "The variable of speed is beyond the ordinary conception of motion, so we tend to regard it as inconsequential. But motion in the sense of speed is precisely how it ties in to reality. This can be observed in the shape of a wave. It is not simply that the form would not exist without motion, but that the variable of speed determines the variety of curves in a wave. A wave behind a rock in a stream is a good example of this principle: the water flows through the wave while the form expresses the various speeds at which the water is moving."&lt;br /&gt;&lt;br /&gt;&lt;a href="dimensions.htm"&gt;&gt;&gt; More&lt;/a&gt;</description><link>http://www.the-door.info/2004/12/liquid-time</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-110320773972324473</guid><pubDate>Thu, 16 Dec 2004 14:33:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.453+11:00</atom:updated><title>Surfboard design theory</title><description>This &lt;a href="http://www.the-door.info/surfboard_design.htm"&gt;essay&lt;/a&gt; describes surfboard design as building a bridge between shape and context, based on function. According to this approach, the designer is concerned with two sides of a relationship. On one side, there is the shape of the surfboard itself. On the other side is the surfboard's context, which is every external condition that influences its function.&lt;br /&gt;</description><link>http://www.the-door.info/2004/12/surfboard-design-theory</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-6963427.post-110320787875320925</guid><pubDate>Wed, 15 Dec 2004 14:36:00 +0000</pubDate><atom:updated>2006-11-10T01:36:22.590+11:00</atom:updated><title>New CAD tool for surfboard design</title><description>To bridge the gap between form and function, this &lt;a href="http://www.the-door.info/cad.htm"&gt;3D modeling tool&lt;/a&gt; utilizes a cylindrical lattice to alter the surface contours of a surfboard.</description><link>http://www.the-door.info/2004/12/new-cad-tool-for-surfboard-design</link><author>noreply@blogger.com (Daniel Webber © Copyright.)</author></item></channel></rss>